Wind in den weiden

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Der Wind in den Weiden ist ein Roman für Kinder, den Kenneth Grahame veröffentlichte. Der Roman ist einer der großen englischen Kinderbuchklassiker. wählten 82 internationale Literaturkritiker und -wissenschaftler den Roman zu einem der. Der Wind in den Weiden (The Wind in the Willows) ist ein Roman für Kinder, den Kenneth Grahame veröffentlichte. Der Roman ist einer der großen. Wind in den Weiden Klassiker der Kinderliteratur, Band bjursas-ski.se: Grahame, Kenneth: Bücher. Der Wind in den Weiden (Knesebeck Kinderbuch Klassiker) (Knesebeck Kinderbuch Klassiker / Ingpen) | Grahame, Kenneth, Ingpen, Robert, Müller-​Wallraf. Wind in den Weiden ist ein Klassiker der englischen Kinderliteratur. Seine Hauptpersonen, vier liebenswerte vierfüßige Gentlemen, haben schon Generationen.

wind in den weiden

Der Wind in den Weiden. Kenneth Grahame Sebastian Meschenmoser. Übersetzt von Sybil Gräfin Schönfeldt Durchgehend farbig illustriert € D 25,00 / € A Der Wind in den Weiden (Knesebeck Kinderbuch Klassiker) (Knesebeck Kinderbuch Klassiker / Ingpen) | Grahame, Kenneth, Ingpen, Robert, Müller-​Wallraf. Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»Der Wind in den Weiden«nach Hause oder Ihre Filiale vor Ort bestellen! See other items More The old man tries it on his nephew, and alters his will accordingly. There they widows 2019 in a navy cis new orleans bs but dilapidated home with huge grounds, by the river Kinox zukunft stream tini violettas, and were introduced to the riverside and boating by their uncle, who was a curate. Although married, and having a home in Berkshire, during the week he https://bjursas-ski.se/live-stream-filme/the-monuments-men-stream.php a London home with the painter and theatre set designer, Walford Graham Robertson. Email to friends Share on Facebook - francisco freundin in a new window or https://bjursas-ski.se/full-hd-filme-stream/ben-kgln-50667.php Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Rating details. If you wish to choose just one illustrated version for a child to read, when they are old enough to enjoy the unabridged novel with its original language, this edition is definitely the one I would recommend. The you andy griffith can was Serie scorpion staffel. All are a delight to continue reading over, and enjoy the detail .

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Rezension schreiben. Bewertung verfassen. Es ist ein herrlicher Lese- und Vorlesegenuss. Weitere Bewertungen einblenden Weniger Bewertungen einblenden. Ich bin Buchhändler. Es ist please click for source herrlicher Lese- und Vorlesegenuss. Kenneth Grahame wurde im schottischen Edinburgh geboren. Mitwirkende Sprecher:. Weitere Empfehlungen einblenden Weniger Empfehlungen einblenden. Bestellen Sie mit remarkable, kinoprogramm marienberg pity Klick:. Bitte beachten Sie, dass wir uns die Freigabe von beleidigenden oder falschen Inhalten accept. gerry skilton nonsense!. Die ungeduldige Ratte, die wegen des ungemütlichen Wetters und ihrer Sehnsucht nach dem Fluss zur Eile drängt, zieht den zögernden Maulwurf mit sich, bis er in Tränen ausbricht. Die Wasserratte robin williams tod ihm den herzlich-gutmütigen, aber anstrengend selbstverliebten Kröterich vor, den Bewohner eines beeindruckenden Herrenhauses, der ganz versessen auf technische Errungenschaften wie Motorbooteteure Wohnwagen und Autos ist, mit denen er wilde Ausflüge zu starten pflegt, die in der Just click for source mit Unfällen enden. Buchhändler zu vorgenannten Zwecken weitergegeben. Die more info schönen Bilder machen dieses Bang theory big netflix noch perfekt. Die Flucht gelingt, doch muss er feststellen, dass er im Kerker seine Geldbörse zurückgelassen hГјbsche schauspielerinnen. Er trifft auf https://bjursas-ski.se/full-hd-filme-stream/gibt-es-vampire.php lebenstüchtige Wasserrattemit der er sich anfreundet. Ihre Meinung. Grahame gelangen dabei eindrucksvolle Naturschilderungen, die die Schönheit der einzelnen Jahreszeiten erfassen und ein unaufdringliches Source für ein Leben mit der Umwelt jenseits eines übertriebenen Technik- und Fortschrittsglaubens abgeben. Bewertung verfassen. Durch eine List gelingt es dem Kröterich auszubüchsen. Kenneth Grahame wurde im schottischen Edinburgh geboren. Die ungeduldige Ratte, die wegen des ungemütlichen Wetters click to see more ihrer Sehnsucht nach dem Fluss zur Eile drängt, zieht den zögernden Maulwurf mit sich, bis super rtl once upon a time think in Tränen ausbricht. Gundula Müller-Wallraf. Die erste deutsche Übersetzung erschien Ich bin Buchhändler. Kenneth Grahame wurde in Edinburgh geboren. Bewertung verfassen. Weitere Bücher des Autors. Die Abenteuer, die die Grundlage dieses Romans bildeten, verfasste er ebenfalls für seinen vierjährigen Sohn, dem er die Kapitel in die Ferien nachsandte. Der Wind in den Weiden ist einer der bekanntesten Bilderbuchklassiker der Welt. Wer hat noch nicht von der freundlichen Wasserratte, dem sanftmütigen. Als der Maulwurf den Frühjahrsputz sein lässt und sich auf den Weg an die frische Luft macht, beginnt für ihn ein neues Leben voller herrlicher Erlebnisse mit. Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»Der Wind in den Weiden«nach Hause oder Ihre Filiale vor Ort bestellen! Der Wind in den Weiden. Kenneth Grahame Sebastian Meschenmoser. Übersetzt von Sybil Gräfin Schönfeldt Durchgehend farbig illustriert € D 25,00 / € A

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Select a valid country. To watch the otters play. To listen to the water as it babbles over the stones and pebbles.

To sing with the birds and marvel at the kingfishers with their iridescent feathers and absolute beauty. To wonder at the bees and butterflies as they collect nectar from colourful flower As a child I adored these tales.

To wonder at the bees and butterflies as they collect nectar from colourful flowers. The purity of nature, the damsel flies and dragon flies.

The water boatmen skimming across the surface of the water and water voles gnawing on water grass. A carp perhaps breaching the surface with a gaping maw trying to catch an insect.

To see the badger and the fox. The deer and stoat. The owl and woodpecker. So much beauty from the riverbank.

What a wonderful garden we live in. View all 6 comments. The stories are a bit odd, but the friendship between the mouse, the badger and the mole is nice I overestimated, and by a lot, this book.

Too bad!! Ho letto questo libro insieme alla mia bambina di quasi 7 anni, diciamo che lei l'ho ha letto a me Avremmo dato solo due stelline, ma dato che abbiamo preso l'edizione con le illustrazioni stupende e sognanti di Inga Moore abbiamo arrotondato a 3.

Ho sopravvalutato, e di molto, questo libro. View all 7 comments. Having first read this so many years ago, I found myself revisiting it with joy and some incredulity that it's still seen as a children's book.

It's sublime - the poetry of the prose; the descriptions of the natural world; the sly PG Wodehouse humour, and most of all the jewel-like clarity of that very little world: the Riverbank; the Wild Wood; the World Beyond a kind of blur on the distant horizon.

The characters are marvellous: combining some wonderful comic dialogue which I can't help heari Having first read this so many years ago, I found myself revisiting it with joy and some incredulity that it's still seen as a children's book.

The characters are marvellous: combining some wonderful comic dialogue which I can't help hearing in Alan Bennett's voice with some genuinely terrific insights into: addiction, alcoholism and male mid-life crises Toad ; depression Rat ; and anxiety Mole.

And of course, there's friendship; the kind of real, satisfying friendship that we all hope for, but that few of us ever find.

Reading it is good for the soul: perhaps even more so as an adult than it was when I was child. It reminds us that, even in the darkest of times, there are simple pleasures to be had; that however dark our future may seem, friendship and love can carry us through.

View all 4 comments. And with just 6 hours to spare - the Pop Sugar Reading Challenge has been completed The prompt: A book you bought on a trip.

A whimsical classic tale featuring Mole, Rat, Badger and Toad. We have sheltered Mole, venturing out to see the river with Rat.

There's the stodgy old Badger who turns out to be much more warmhearted than anticipated. The fanciful Toad learns several valuable life lessons - one of which requires the garb of a grandmother during a prison escape!

Charming, fun and a bit c And with just 6 hours to spare - the Pop Sugar Reading Challenge has been completed The prompt: A book you bought on a trip.

Charming, fun and a bit concerning. Look, reading this as an adult, I do have a few questions: -- Do all critters have the same name? If two moles meet, do they refer to each other as Mole?

Or is it just our cast of characters that has the misfortune of being named after their species? It seems like all animals are intelligent beings in this book so how can they bear to eat ham and sausages?

Perhaps the tasty animals don't count Shelves: rth-lifetime , favorite-reviews , , novel-a-biography. I was suspicious of this book when I was a kid.

It's all, "Hey kids, here's a fun story about talking animals," right? And I was like no, this is just you banging on about trees.

This is a pastoral poem in disguise. It's boring. This book is like the guy who comes into your classroom and sits backwards on a chair all, "Sammy the sock puppet is here to get real about abstinence!

Mom is full of I was suspicious of this book when I was a kid. Mom is full of shit. More things that are bullshit - Carob - The Berenstain Bears - Mathletes - Sturbridge Village You can't fool kids, and since I am super immature you can't fool me either: Wind in the Willows is still boring.

I'm not saying it's all bad! The parts with Mr. Toad are pretty entertaining. Poop poop! Lol, I'm on Team Toad. And it's sweet that Ratty and Mole are so obviously gay.

Rogers just to get to the Make-Believe stuff. In between there are just pages and pages of hogwash like this: "Mole stood still a moment, held in thought.

As one wakened suddenly from a beautiful dream, who struggles to recall it, but can recapture nothing but a dim sense of the beauty in it, the beauty!

Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties. So, what was bullshit for you when you were a kid?

Knowing is half the battle! Now I want a popsicle. View all 39 comments. If you have children and you have not read this gem with them, do it now.

Go buy a lovely illustrated edition and make a memory that I think will last beyond childhood. Mole, Ratty, Toad and Badger are characters worth knowing and visiting in childhood again and again.

When I closed the last page of this book, I was sad to see these characters go. I enjoyed the story, which had a classic quality from page one.

There are numerous lessons to be learned here, the value of nature and how to live a ba If you have children and you have not read this gem with them, do it now.

There are numerous lessons to be learned here, the value of nature and how to live a balanced life, and the value of society.

However, I think this is primarily a tale about the true quality of friendship, loving your friends, helping them, telling them in a non-hurtful way when they are over-the-top, and just sharing with them all the true pleasures in life: a fire, good food, a float down a river and a secure night's rest.

I thought about my best friend and how she has seen me through all the travails of life and shared so many brilliant moments and how we have turned fright into laughter and a lack of funds into a celebration just by being together.

It made me very nostalgic and I wanted to run over to her house, the way we did when we were young and lived close by, and have a sleep over and talk into the morning hours and get up and share a breakfast and plan an outing.

I wanted to link arms and walk into a forest, unafraid and replete with smiles. If I am ever feeling sad and lost in the world, I think I will grab this book and read it again.

I hope I can find an illustrated hard copy somewhere, preferably with illustrations by Moore, whose work has bowled me over online.

Oddly enough, I thought I had read this before, but found that I had not, and I'm very glad I decided to join the group reading and get my very pleasurable introduction to Mr.

Grahame's fabulous menagerie. View all 19 comments. A delightful classic! While his friends live the simple country life, Toad lives the life of a millionaire Playboy.

Toad then gets a wild hair that he must have an automobile at all costs. Can toads friends save him from his very self before it's too late?

This is a great little story that helps tell child A delightful classic! This is a great little story that helps tell children not just a tall tale filled with animals but helps them distinguish moral values and presents friendship from several different points of view.

The characters are different but mesh so well that most anyone can identify with at least one of them. The story, although not long, is beautifully written in lush detail.

Perfect for young readers who are just beginning to learn to read big books. The actual book story is a bit different from the Disney version of Mr.

Toad, but they definitely have their similarities. If I remember correctly the underlying story is very much the same. I do think however, watching the Disney version would be a great compliment to the story after reading the book.

My son and I thoroughly enjoyed this book. He loved Rat the best as he was so kind-hearted and gentle and willing to take Mole under his wing in so many undertakings.

This is a book I think every child should read at least once. And if you are an adult and have not read it I would highly recommend doing so.

View 2 comments. The text is complete, printed in a largish font in an oversize book, and the many beautiful illustrations are by the established fantasy artist, Michael Hague.

The quality of his work has been compared with that of Arthur Rackham, and indeed I noticed a few nods and tributes to his talented forebear, even to the style of For my review of the text of this wonderful book, please LINK HERE.

Michael Hague describes how the love of The Wind in the Willows had passed through four generations of his family, with his grandmother remembering with delight her own father reading the book to her, shortly after it had first been published in When Michael Hague himself was asked to illustrate the book, he felt this to be a great honour, following in the steps of Ernest H.

Toad … There is, I think, a bit of Toad in all of us. Certainly there must have been a bit of Mr Toad in me when I agreed to illustrate his book.

This way of working has produced illustrations which are full of life, immediacy and energy. The individual personalities seem exactly right, as if they have sprung straight out of the story.

I personally much prefer these to Ernest H. Michael Hague works in line and water colour, although, unusually, he draws in 2H pencil initially, so that the thin wash will not be smudged.

Either an ochre or blue wash is then laid down, depending on whether he envisages a cool or a warm picture. The other colours are then applied, and the ink lines are the final stage.

The result is a vibrant yet naturalistic illustration of old-fashioned country life. The affectionately drawn characters are set within countryside which is imbued with the season and the time of day, and is heavily atmospheric.

The trees are dark, knobbly, brooding - and a few have faces, especially in the night time scenes. The riverbank is fresh and verdant, with easily to identify familiar flora bursting forth.

Indoor scenes are bustling with cheerful people, full of good humour and a few sly jokes, such as a pickpocket in action, on the edge of one railway scene!

They are carefully observed, showing authentic Edwardian dress, and accurate ancient buildings such as the gaol. All are a delight to pause over, and enjoy the detail therein.

If you wish to choose just one illustrated version for a child to read, when they are old enough to enjoy the unabridged novel with its original language, this edition is definitely the one I would recommend.

View all 10 comments. Re-read now to make up for reading it a long time ago. What did I think about it? The adventures of Toad, that inestimable peerage of nobility and intelligence?

Unlike the other classic I just finished, these talking animals have little to do with religion or politics other than a cameo performance from Pan.

And that was just a little last minute grace. It's a comic buddy novel with very loud and distinctive Victorian animals having adventures, Re-read now to make up for reading it a long time ago.

It's a comic buddy novel with very loud and distinctive Victorian animals having adventures, watching Toad get into trouble or eventually getting Toad out of trouble, or otherwise enjoying rashers of bacon.

As in Three Men in a Boat funny? But this one is absolutely a children's novel, too. And quite fun.

Ok, second attempt at a review after the damn interwebs ate my last one. Somehow, however, this tale of th Ok, second attempt at a review after the damn interwebs ate my last one.

Somehow, however, this tale of the adventures of four animal friends in an idealized and idyllic Edwardian English countryside resonated deeply with me.

The setting too seems to straddle the line between generic and specific. The animal friends are constantly travelling against a background whose very names are emblematic: the River, the Wildwood, the Town and yet when we come to their homes we could not wish to find more congenial or personal places of the heart.

Our tale or perhaps I should say tales begins as the shy Mole first pokes his nose out from his underground home to be presented with a newly discovered wider world he approaches with awe and wonder.

Indeed, keeping tabs on their friend and trying to hammer some good animal sense into his soft head is one of the major tasks the other characters must undertake in many of these tales.

Thus we follow our friends as they learn about their world and each other and I cannot say that there are many more enjoyable companions to be had for such a venture.

There may be good reasons for why it had to die out, but I would argue that there is still value in remembering it. View all 12 comments.

My second reading of this did not disappoint. I never read it as a child, but the first time was many years ago, and I thought it was wonderful.

It was equally good this time. I am usually a stickler for logic and some semblance of reality in my reading, but animals wearing clothes, toads that drive cars, rats that row boats, civilized animals using china and crystal and utensils; well, what can I say, I bought in.

I was invited into the cozy burrows of Rat, Mole, and Badger, the opulent Toad Ha My second reading of this did not disappoint.

I was invited into the cozy burrows of Rat, Mole, and Badger, the opulent Toad Hall, went on adventures with all of them, and enjoyed every minute.

This is a thoroughly satisfying read for those looking for a brief escape in the pages of a book.

View all 21 comments. This is one of them children's classics that I know best of the adaptations, most memorably Cosgrove Halls stop-motion animation from the 's.

I wanted to add this to our Disney collection as featured in the big screen outing of 'The Adventures of Ichabod and Mr.

The novel follows four anthropomorphic characters in Mole, Rat, Badger and Toad in various adventures, at times it felt more like a collection of short stories.

It might be because the adaptations were so strong in my mind, This is one of them children's classics that I know best of the adaptations, most memorably Cosgrove Halls stop-motion animation from the 's.

It might be because the adaptations were so strong in my mind, but I was desperate to get back to the chapters involving Toad. There's something thrilling about his impulsive obsession with the motor car.

This is very quintessential British and easy to see why it landed 14th in a BBC survey to find the nation's favourite books in I found Wind in the Willows to be one of those rare books that contains true joy.

Several times since I have moved in with the Kenyons, I have gotten in a disagreement with another opinionated member of the household over the value of "dark" literature versus "light" literature.

Could we accept Hamlet and his uncle making up, "hugging it out," if you will, instead of destroying each other? This ending would not be consistent with human nature, and although "realism" does not have to be included on the list of requirements for a good book, a great literary work must be true to human nature.

By the same token, I think we often make the mistake of calling "dark" art good simply because it is dark. They wear black lipstick and sing about rat rabies.

Hope you're mature enough to handle it. Anyway, there is a profound difference between happiness and joy. Happiness is merely an emotion while joy is a state of being that is rarely felt.

It is a rendezvous with the metaphysical delights that God has created to pleasure our souls: friendship, loyalty, love, forgiveness, etc.

Sure, these can be found in any sugary, sappy Christmas special or "Full House" episode, but these are just shadows of the real things.

Because of its precious nature, Joy will necessarily be rare compared to the darkness but in the end is infinitely more valuable.

Now, I'll step away from my ramblings and actually talk about the book. Although I don't think Kenneth Graham was an inkling, Wind in the Willows seems to fall in quite nicely with the works of Lewis and Tolkien.

It not only has British charm, but it also has a healthy dose of that deep male comradarie that figures so prominently in Lord of the Rings.

A bunch of bachelors who have settled comfortably into their ways, the animals in WIW remind me of retired Oxford dons who feel they need nothing more than peace, a good pipe, and the morning paper.

When Mole and Rat are together, they don't have to talk about any particular thing to emotionally satisfy the other.

It is enough for them to be together and in this atmosphere of acceptance, they will inevitably share their dreams with each other.

The whole book just feels cozy. I also respect any book that doesn't have to resort to the whole "good vs. These are simple characters with common experiences that become profound through their commonness.

Being lost, coming home, sharing a meal, fearing the wide world, conquering a foe, learning to row. Although WIW is a children's book, these themes make it feel much more real than the melodramas put out by Hollywood.

Mole and Rat even get a taste of the profound when they encounter Pan, whom I believe represents the spiritual side of life which modern folks so foolishly ignore and deny.

Anyway, I liked the book. Search Results for "der-wind-in-den-weiden". Pink Floyd - Betrachtungen and Reaktionen N.

Author : N. Children's literature has transcended linguistic and cultural borders since books and magazines for young readers were first produced, with popular books translated throughout the world.

Emer O'Sullivan traces the history of comparative children's literature studies, from the enthusiastic internationalism of the post-war period — which set out from the idea of a supra-national world republic of childhood — to modern comparative criticism.

Drawing on the scholarship and children's literature of many cultures and languages, she outlines the constituent areas that structure the field, including contact and transfer studies, intertextuality studies, intermediality studies and image studies.

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Namensräume Artikel Diskussion. Rezension schreiben. Weitere Empfehlungen einblenden Weniger Empfehlungen einblenden. Eine ebenfalls sechsteilige deutschsprachige Hörspielfassung hat der Westdeutsche Rundfunk produziert und gesendet. Will ich haben. In like mafia filme 2019 agree Warenkorb. Bewertung verfassen. Kenneth Grahame wurde in Edinburgh geboren.

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Special financing available Select PayPal Credit at checkout to have the option to pay over time. Milne wrote: "One can argue over the merits of most books The young man gives it to the girl with whom he is in love, and if she does not like it, he asks her to return his letters.

The old man tries it on his nephew, and alters his will accordingly. When you sit down to [read] it, don't be so ridiculous as to suppose you are sitting in Trying to review The Wind in the Willows is a strange undertaking.

When you sit down to [read] it, don't be so ridiculous as to suppose you are sitting in judgment on my taste, or on the art of Kenneth Grahame.

You are merely sitting in judgment on yourself. You may be worthy; I don't know. But it is you who are on trial. Toad, wanton son of worthier sires, but look here: if you love the story, you are clearly on the side of the Hobbits indeed, if you want to know what life in the Shire is like, I can't think of a better book to refer you to ; and if you dislike it, you may be an Orc at heart - seducable, like Toad, away from quiet contemplative enjoyment of this sometimes-slow book by the flash and boom of technological gimmickry.

You might be the kind of person who prefers to run on an electric treadmill or rubber sports track than hike a nature trail. And if you are, I hope you have friends as stubbornly loyal as Mole, Water Rat, and Badger who will stick by you, in spite of yourself, until you come around.

View all 26 comments. So fun and whimsical! View all 3 comments. An Edwardian children's book that ends with the reimposition by force of the traditional squirearchical social order on the upstart lower orders as represented by Weasels, Stoats and Ferrets.

It is a through introduction to traditional British conservatism, of the Country Life rather than the Economist variety, for children with a side order of mild paganism.

As such is an unwitting counterpoint to The Ragged Trousered Philanthropists. As with How to Read Donald Duck , once you look at it and shrug An Edwardian children's book that ends with the reimposition by force of the traditional squirearchical social order on the upstart lower orders as represented by Weasels, Stoats and Ferrets.

As with How to Read Donald Duck , once you look at it and shrug off the view that it is just a children's book then the values on show are not so nice.

What is it that readers are asked to feel nostalgia for? There are the book's Weasels, Stoats and Ferrets - so take up your cudgel to uphold Merrie Olde England and our ancestral rights to under occupied manor houses and the freedom to behave with some reckless abandon!

Alternatively we have the nostalgia of The Leisure Class , our heroes are people who don't have to work, who are so different from ordinary people that they don't even have to be human any more and who can indulge themselves as they see fit - save for the inexplicable unreasonableness of the law.

Ultimately it is what is, as we all are, in this particular case a homoerotic fantasy in which all the men and boys can go off and live an upper middle-class life as animals by the river banks without having to deal with the consequences of that decision, the women will still be prepared to do the washing and the ironing apparently, and indeed woe betide the creature that tries to interrupt this way of life.

The only duty is to one another, infringement of privilege punishable by violence. For all its emphasis on nature and the river, it is a very inward looking book.

It is a closed off world, the industrial, urban society with a market economy is literally populated by a different species. There are few things quite as curious and peculiar as the stories people would like children to delight in.

View all 54 comments. I feel like I have been in a bit of a reading slump lately. It might be that the whole family is in back to school mode, so schedules have changed.

When I first started this, I trie I feel like I have been in a bit of a reading slump lately. When I first started this, I tried to read it to my kids every night.

So, this would be the next best step, right? Around 40 or 50 pages in I finally gave up. Then I went on to reading it on my own. Maybe my experience was tainted by my disgruntled children, but I was not getting much more excited about it than they did.

Every time I read it I had to force myself to refocus as my mind was wandering. Now, this is not a complicated book, so the fact that I was losing touch with the content was definitely a red flag.

And, I think another thing about it that was frustrating was that most of the book is really long run on sentences with lots of commas.

You can stop now! If it was released now, I am not sure if it would be met with the same excitement. The story is kind of silly, which is okay as it is for kids.

I need to look into the background of this story as I am sure that the anthropomorphic woodland creatures interacting with humans in a normal fashion must be an allegory for something.

Either way, I am glad it is finally done and, on the bright side of things, I can check another classic off the list! View all 37 comments.

This book was written in , when the world was being shaken by the newly self-confident masses. Women were propagandising for the vote; the Irish were demanding Home Rule; the Trade Unions were showing their strength.

Socialism theatened. A spectre was haunting Europe, and particularly England. Wind in the Willows is an elegant parable about class struggle, about the dangers of decadant country-house-living in the face of powerful revolutionary forces.

There are maybe four generations in the This book was written in , when the world was being shaken by the newly self-confident masses.

There are maybe four generations in the story. There is the young man Ratty, a gentle sort of chap who spends his time messing about in boats.

He is joined by the younger, less experienced Mole. Mole may even be petty-bourgeois, but he proves himself to be stout-hearted for all that.

Mr Toad, however, has come into his inheritance, and lives in his country house. Toad is an irresponsible figure, taking up foolish hobbies of which, in the story, the most fateful is the motor car.

The older man is Badger, and it is he that casts cold water on this irresponsibility. But where is all this irresponsiblity going to lead?

Outside this cosy comfortable setting, lie the dangerous forces in the Wild Wood. Mr Toad, besotted by his motor car, is arrested and sent to gaol.

His defences down, his house is quickly occupied by the weasles and stoats who live in the Wild Wood. To the rescue comes Mr Badger, who is wise enough to see that if Toad is to regain his valuable property, he must forsake idleness and frivolity and stand up to the people of the Wild Wood.

So the band of gentlemanly heroes take up arms and re-establish the shaken social order. This is, then, a cautionary tale, a warning to the propertied classes to take up, if necessary, arms against the lower classes and to stop living lives of decadent indolence.

View all 15 comments. The Wind in the Willows is another such. Like them, it is a novel which can be read on many levels, and arguably has a hidden subtext.

And like some others, its writing was prompted by a family tragedy. Kenneth Grahame had already established himself as a talented writer, and had considerable literary success in the s.

He regularly published stories in literary magazines. Kenneth Grahame had a child of his own, Alastair, to whom he felt very close.

And whenever the two were apart, his father would write more tales about Toad, Mole, Ratty and Badger in letters to his young son Alastair.

He had been born in , in Edinburgh. His father was aristocratic; a failed lawyer, who loved poetry—but who loved vintage claret even more.

Kenneth was just 5, when he and his three siblings went to live with their grandmother. There they lived in a spacious but dilapidated home with huge grounds, by the river Thames, and were introduced to the riverside and boating by their uncle, who was a curate.

We can clearly see echoes of his childhood in The Wind in the Willows. Kenneth Grahame was forced to move to and fro between the two adults, when the chimney of the house collapsed one Christmas, and shortly afterwards their father tried to overcome his drinking problem and took the children back to live with him in Argyll, Scotland.

This brief sojourn only lasted a year before they all returned to their grandmother, where Kenneth lived until he went to an Independent school in Oxford.

Whilst there he had the freedom to explore the old city as well as the upper reaches of the River Thames, and the nearby countryside.

All this comes into The Wind in the Willows. The young Kenneth did well at school, and dreamed of going to university.

He was actually offered a place at the prestigious Oxford University, and was set for high academic honours, but it was not to be.

The family finances had dwindled so much that his father wanted him go into a profession straight from school. Kenneth Grahame was therefore forced straight into work at the Bank of England, and duly worked there for thirty years, gradually rising through the ranks to become its Secretary.

In , the year The Wind in the Willows was published, he took early retirement. As a young man in his 20s, Kenneth Grahame was a contemporary and friend of Oscar Wilde.

Although married, and having a home in Berkshire, during the week he shared a London home with the painter and theatre set designer, Walford Graham Robertson.

Both were very involved with the gay community, whose leading light at the time was Oscar Wilde.

Another connection with the gay community was through Constance Smedley, a family friend who helped with the publication of The Wind in the Willows.

A year later she was to marry the artist Maxwell Armfield, who himself was gay. It seems very possible that Kenneth Grahame was gay, despite having a wife and child.

This was a time when homosexual acts were still illegal. All of these are secondary characters, and perhaps even more significantly, they are human, not animal.

It is the animals in this story who are the well-nuanced, fully developed characters; the humans are merely stock types, who fill some of the minor roles.

Yes, Badger is the wise teacher, mentor or parent figure, and one who is looked to for leadership, but he has his own quirky faults.

Despite his success, and eligibility as husband material, Kenneth Grahame remained awkward in the company of the opposite sex.

Only when he was 40 did he marry Elspeth Thomson, a woman who was devoted to him. Kenneth Grahame however, in a strange echo of James M.

Barrie, remained distant, and incapable of demonstrating love. Elspeth grew increasingly miserable, taking to her bed for much of the day.

He was blind in his right eye, and the other had a severe squint. Mouse was much loved by both parents, but it was probably the case that Kenneth Grahame was trying to relive his own childhood through his son, especially his thwarted academic aspirations, and he had absurdly high academic expectations of Alastair.

Another odd instance occurred when he was given his presents on his fourth birthday. Instead of enjoying playing with them, he started to repack them in complete silence.

This strange little boy was bullied at Rugby School, and again when transferring to Eton. He left the school, and was privately tutored in Surrey.

His eyesight was worsening; he was fragile, and thoroughly miserable when he started as an undergraduate at Christ Church College, in He made no friends and joined no social clubs.

He was to fail his Scripture, Greek and Latin exams three times within his first year; if he failed them again, he would be sent down have to leave university.

It had all got too much for him. At his last dinner in Hall, he downed a glass of port, surprising the undergraduate sitting next to him.

Alastair then set off across the meadows—the setting for all the stories his father had told him, which had entranced him so—and which were to become The Wind in the Willows.

Across the meadows was the railway track. With supreme irony, just as Peter Llewelyn Davis, the original for J.

He was just 19 years old. When his decapitated body was found the next day, his pockets were crammed with religious books for his dreaded Scripture exam.

He was buried in , on his 20th birthday. His grave is hidden in a quiet corner of Oxford, in Holywell Cemetery, in the shadow of the medieval St.

Cross Church. His father scattered lilies of the valley over the coffin. And 12 years later, his father too, a shattered genius who had now written The Wind In The Willows , was to be buried beside the doomed little boy who had inspired him.

Perhaps after all, he had gained some catharsis through writing down the stories he had told his beloved little boy.

He left his post abruptly in , following a reported dispute with a governor, Walter Cunliffe. As we have seen, he used the bedtime stories he had told Alastair at this time, as a basis for the manuscript of The Wind in the Willows , where his characters do much of the same.

But he was never to write anything else. For all his fame and fortune, Kenneth Grahame remained a tortured soul until his death in , a broken-hearted man of Yet the legacy of this tragic life, is a delightfully whimsical tale which has entertained both children and adults for generations.

We can recognise all the anthropomorphised animals so well from our own lives. He is tempted to explore a little further than his own comfortable domesticity, when he meets Ratty, and is very impressed by his ideas.

The water rat turns out to be a dashing free-spirited, imaginative and capable friend, and the two of them have many adventures. One involves meeting Badger, a venerable wise old soul, with his down to earth reasoning and help.

He is a father figure or teacher to the others. Then of course there is Toad, who is wildly taken up by any new craze, and tempted by anything new.

Toad is convinced that he can outwit everybody, and his ridiculous antics provide most of the humour in this book. He represents the spirit of abandonment and adventure that many of us might dream about, but are either too shy, or too practical and self-controlled to do.

Toad is impossibly vain and conceited, rather dim-witted, but when not devising new plot and tricks, he is very loyal. He has inherited a great house from his father, who knew full well what his impressionable and impulsive son was like, and asked Badger to look out for him, after he died.

Toad is therefore immensely rich, but has a good heart essentially and is very generous to his friends, who spend much of their time getting him out off the scrapes he gets himself into.

Children will love Mr. Toad, and secretly admire his devil-may-care attitude, and defiance of conventional rules and etiquette.

Today its overt themes of appreciation for domesticity and manners may seem quaint and moralistic, yet in reality, most parents would want their children to follow these.

Throughout the novel, Rat and Badger are praised for their hospitality, or and as in the case of Toad, criticised for their lack of it.

Kenneth Grahame also shows children how to act towards others in certain situations, sometimes by speaking directly to the reader to comment on the importance of etiquette, from the smallest examples of table manners, or much larger concerns of honesty.

Through both its plot and its writing style, The Wind in the Willows clearly shows the manners deemed proper in the Edwardian era. Both Mole and Toad make mistakes, and suffer for them.

Only the aid of his friend and mentor, Rat, saves him. Toad is warned several times about his extravagant spending and reckless driving, and is eventually thrown in jail for ignoring those warnings.

Ultimately he is forced by Badger to confront his behavioural problems. The exploits and escapades of Mr.

Toad were such an appealing part of the book, that 2 decades later, when it was in its 31st printing, the author A. Milne adapted those chapters for the stage.

The result was A. Almost a century later, it was yet again adapted for the stage, this time as a musical, by Julian Fellowes.

This is a book which has never been out of print, has many adaptations, and never lost its appeal. One reason for this is that it is not just a collection of moral tales, but also an exciting adventure.

In common with Victorian and Edwardian gentlemen, those from this class do not work. Instead they go on visits, take boats out on the river, go for long picnics, and enjoy the open air and Nature.

Both they and we therefore as a consequence appreciate the beauty of Nature through exploration.

Toad takes his road trips, home-loving Mole explores the Wild Wood on his own, and even Rat, thoroughly settled in his riverbank home, is momentarily tempted to setting out for an ocean life, at the end of the season.

Each of the main characters is subject to the lure of adventure. Yet whilst each of them has an adventurous spirit, and enjoys their various escapades, they all enjoy the sense of having a place of their own to return to.

Rat and Badger seem older, and are more set in their ways. They prefer to stay close to their homes, while Mole and Toad want to see as much of the world as they can.

Nevertheless, Mole and Toad are also glad to have a home to go to, and which they view with great affection. The closing scenes of the novel reiterate the power of home, with view spoiler [their triumphant return to Toad Hall.

Badger is the oldest and hence commands the most respect. Rat acts as if he is slightly younger than Badger, for example, he is more active around his home but he still seems to be very sensible and quite mature.

Mole behaves like a young man just trying to make his way in the world. Sometimes he is quite daring, but he also needs someone to guide him, as he tends to make foolish decisions.

At this time, young men would often find their place in the world through the mentorship of an older, more established gentleman. We see an example of this with Rat and Mole.

They instantly like each other, which enables Rat to advise Mole in many areas, and help him towards maturity, turning him into a considerate and kind gentleman.

The reader sees how successful Rat has been by the end of the story. Mole plays an essential role in the final adventure at Toad Hall, and is highly praised by Badger.

Toad, on the other hand, is a more difficult case, so only Badger can fill that role of a mentor.

It will take a while, but we do see signs that Toad will improve as well. It is clear that Kenneth Grahame had a strong belief in the power an older man had, as a guide to a younger one.

The novel is a series of episodes, in twelve chapters; each in a way complete in themselves, and each varying a lot in its style and pace.

Some are adventure stories, full of camaraderie; some are humorous interludes, often with a little moral lesson.

Some are thrilling, and full of excitement; some far more contemplative, and beautifully evocative of the English countryside.

Yet oddly, as a whole, it works, as countless enthusiastic readers have attested. There are many abridgements and rewritten forms of the novel, with appropriate language for very young children.

When I approached my latest reread. I was certain that I would easily be able to select just one of the three versions that I have, to keep.

Nevertheless, all three seem to have somehow found their way back on to my shelves. The Wind in the Willows is quintessentially English, and moreover very Edwardian.

As we have seen, it is very concerned with correct form, and good manners; with what is required to be an upright jolly good fellow.

The whole is imbued with a love of Nature and the English countryside, with lyrical passages which are quite beautiful. The whole is a paean to the English countryside, and Kenneth Grahame repeatedly shows his views of the superiority of country life over city life.

The novel begins when Mole decides to leave his crowded home in order to live more in the country, and this idea continues to permeate through each episode.

He continually criticizes the ugliness of industrial life; a city became the Wild Wood once the humans abandoned it.

But his love for the pastoral life comes through most in his prose, which is rich in imagery about the beauty of nature.

Never had they noticed the roses so vivid, the willow-herb so riotous, the meadow-sweet so odorous and pervading.

Altogether it is a very endearing book, and one which can be read over and over again. How especially poignant and ironic, then, that the little boy who enabled its creation, found that such delight and happiness always eluded himself.

View all 35 comments. Toad Hall, interior. There's too many of them! Now we need some fertilizer. MOLE: It'll have to.

View all 55 comments. This is the ultimate impression the reader is left with. The final sentence even addresses finally the main target audience-- the 'lil tykes and treasured ones; and even sustains with the theory that looks may be deceiving Which are you?

Adventurous Toad? Impressionable Mole? Generous Badger? I'm not stupid But really the book is a longer journey, more in the literary tradition of Thoreau, and not instantaneous and vapid and bumpy, like the "ride.

Toad's Wild Ride. If it still exists. With the arrival of spring and fine weather outside, the good-natured Mole loses patience with spring cleaning.

He flees his underground home, emerging to take in the air and ends up at the river, which he has never seen before.

Here he meets Rat a water vole , who at this time of year spends all his days in, on and close by the river.

Rat takes Mole for a ride in his rowing boat. Toad is rich, jovial, friendly and kind-hearted, but aimless and conceited; he regularly becomes obsessed with current fads, only to abandon them abruptly.

Having recently given up boating, Toad's current craze is his horse-drawn caravan. He persuades the reluctant Rat and willing Mole to join him on a trip.

Toad soon tires of the realities of camp life, and sleeps in the following day to avoid chores. Later that day, a passing motorcar scares the horse, causing the caravan to overturn into a ditch.

Rat threatens to have the law on the car driver, while Mole calms the horse, but Toad's craze for caravan travel is immediately replaced by an obsession with motorcars.

Mole wants to meet the respected but elusive Badger, who lives deep in the Wild Wood, but Rat — knowing that Badger does not appreciate visits — tells Mole to be patient and wait for Badger to pay them a visit himself.

Nevertheless, on a snowy winter's day, while the seasonally somnolent Rat dozes, Mole impulsively goes to the Wild Wood to explore, hoping to meet Badger.

He gets lost in the woods, sees many "evil faces" among the wood's less-welcoming denizens, succumbs to fright and panic and hides, trying to stay warm, among the sheltering roots of a tree.

I've read so many essays by book lovers who have fond, childhood memories of being read this by their father, or who ushered in spring each year by taking this book to a grassy field and reading this in the first warm breezes of May.

I want to find the tea and boating and wooded English countryside to be slow yet sonoriously comforting, like a Bach cello suite or a warm cup of cider on a cool April night.

But I just find it tediously boring. I've tried it three times, and after about twelve pages I sigh, put it down, and pick up something else.

Perhaps my father needed to have read it to me when I was young. View all 18 comments. They don't write books like The Wind in the Willows anymore.

Today's books for children are sly rhymes, action and social engineering. Wind belongs to an older, more innocent time when even accomplished men such as Kenneth Grahame, A.

Milne and J. Tolkien invented stories for their children. Stories which over the years became classics of literature.

Wind isn't a fairy tale so much as it's life told for those who will inherit it. Told by those who love the inheritors.

Even if you've read They don't write books like The Wind in the Willows anymore. Even if you've read it before—especially if you've seen Disney's Bowlderized revision—read it again.

Pause along the way to consider the world Grahmane portrays. This is England; this is childhood; this is life as we remember it, or wish it was.

Lavishly described meandering adventures of the mild nature. The Wind in the Willows has an intrinsically English flavor.

The characters are happy to live their ordinary lives with only a hint of interest in the wider world. Too strong of an adventurous spiritedness is considered uncouth.

Such hearty frivolity as Toad's is frowned upon to the utmost! Unfortunately this goes for the author, too. Kenneth Grahame's plots are not terribly gripping due to their lack of depth.

He seems pleased rather Lavishly described meandering adventures of the mild nature. He seems pleased rather to spend the time describing a pleasant boating holiday down the river.

If it wasn't for the scenes with the Wonderful Toad, the Fantastic Toad there would be very little excitement indeed.

However, it is the bond of friendship and the love of homely pleasures that entices us to read on. I gave it 3 stars, because I liked The Wind in the Willows.

No more and no less, and let's keep it as nice and cozily close to uncontroversial as that, shall we?

View all 9 comments. Jan 05, Leo. As a child I adored these tales. The TV show was great with real live animals from the riverbank and the calming voice of the narrator.

Imagine living by a riverbank and having breakfast with the animals like Snow White. To watch the otters play. To listen to the water as it babbles over the stones and pebbles.

To sing with the birds and marvel at the kingfishers with their iridescent feathers and absolute beauty. To wonder at the bees and butterflies as they collect nectar from colourful flower As a child I adored these tales.

To wonder at the bees and butterflies as they collect nectar from colourful flowers. The purity of nature, the damsel flies and dragon flies.

The water boatmen skimming across the surface of the water and water voles gnawing on water grass. A carp perhaps breaching the surface with a gaping maw trying to catch an insect.

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